Collage played an important role in the rise of avant-garde art of the earlier 20th century essay

Collage played an important role in the rise of avant-garde art of the earlier 20th century essay Collage played an important role in the rise of avant-garde art of the earlier 20th century essay Collage played an important role in the rise of avant-garde art of the earlier 20th century essayThe background information on the Avant Garde movement and collageThesis statement: Collage contributed to the rise of the Avant-Garde movement due to the original form that allowed artist to manifest their new ideas and communicate them to the audience in the plausible form.II The Development of art in the early 20th century  Ã‚  Ã‚  Ã‚   A The rise of modernist movements  Ã‚  Ã‚  Ã‚   B The strife of artists for experiments, new forms and stylesIII Collage as a new form for Avant-Garde artists  Ã‚  Ã‚  Ã‚   A Collage as a plausible form for self-expression of Avant-Garde artists  Ã‚  Ã‚  Ã‚   B Collage as a new opportunity for experiment in art for Avant-Gardists  Ã‚  Ã‚  Ã‚   C Collage as a medium for Avant-Garde artists to reach the mass audience  Ã‚  Ã‚  Ã‚   D Collage as a universal form of Avant-Garde that persists today due to the rise of new technologies, including di gital collageIV ConclusionCollage has had a considerable impact on the rise of the Avant-Garde movement due to wide opportunities for experiments and self-expression for Avant-Garde artists.Annotated BibliographyAdamowicz, Elza (1998).  Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge University Press.The author focuses on the analysis of the surrealist collage with the specific impact of collage on the rise of Surrealism. The author draws specific examples which reveals the integration of surrealistic elements into collages and how collages allowed developing Surrealism due to their visual form different from conventional paintings.Maerhofer, John W. 2009.  Rethinking the Vanguard: Aesthetic and Political Positions in the Modernist Debate, 1917-1962. Newcastle upon Tyne: Cambridge Scholars Press.The author evaluates critically the development of the Avant-Garde movement. The author stands on the ground that the development of the Avant-Garde was accompanied by numerous experiments, which included the use of collages. At the same time, the author concludes that collages stimulated the rise of Avant-Garde because they became the new form of visual art that allowed artists implement their creative ideas in the new way.Mann, Paul.  The Theory-Death of the Avant-Garde. Indiana University Press, 1991.The author focuses on the analysis of the Avant-Garde movement, its rise and development. The author reveals distinct features of Avant-Garde and key factors that contributed to the progress of the movement. At this point, the book is noteworthy in terms of understanding of the rise and decline of the Avant-Garde.Ruddick Bloom, Susan (2006).  Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art. New York: Focal Press.The author explores the vitality of collage in the visual art. The author offers the retrospective of the development of collage and its impact on the visual art. In this regard, the author po ints out a considerable impact of collage on the development of modernist art and the Avant-Garde movement. At the same time, the author reveals the potential of new, digital technologies in creation of collages and new experiments in the field of visual art and Avant-Gardist trends.Schechner, Richard (Autumn 2010) The Conservative Avant-Garde. New Literary History 41(4), 895-913.The article focuses on the early development of the Avant-Garde movement and factors that contributed to its development. Collage was one of the most popular forms used by Avant-Gardist artists and stimulated the fast progress of Avant-Garde. At the same time, the author points out that the original style and trends in the development of the Avant-Garde are still popular, while conservative trends in the Avant-Garde still use collages.Schechner, Richard (2002) The Five Avant-Gardes or [and] or None?  The Twentieth-Century Performance Reader, 2nd ed., ed. Michael Huxley and Noel Witts. New York: Routledg e.The author focuses on the study of specific manifestations of the Avant-Garde movement referring to works of Avant-Gardist artists. The author attempts to show how artists evolved and moved toward Avant-Garde.